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  2. The Writing On The Wall: The Work of Joane Cardinal-Schubert

The writing on the wall: the work of Joane Cardinal-Schubert

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    • http://136.159.25.22/ucpress/images/9781552389492.jpg
    Author: Sharman, Lindsey
    Summary:

    The Writing on the Wall tells the story of artist, curator, writer and activist Dr. Joane Cardinal-Schubert, RCA. Although never claiming to be political and rejecting a feminist label, Cardinal-Schubert's work recognizes that the personal lived life of an Indigenous Canadian woman has social and political ramifications. During her time in the physical realm, Cardinal-Schubert supported and mentored those who struggled with the legacies of colonial histories and educated those who were unaware of how this system affected them. Here, her work leads the conversation and continues to reach and speak to those on all sides of a colonial history simultaneously. The essays included oscillate between, story-telling, art historical analysis of art works, personal narratives, academic readings of the artist's work, anecdotes and remembrances-embracing the places where the personal, the political, and the artistic meet.

    Genre: Art and architecture, Biographies and autobiographies, Canadian nonfiction, Indigenous materials
    Original Publisher: Calgary , University of Calgary Press
    Language(s): English

Details

Abstract

The Writing on the Wall tells the story of artist, curator, writer and activist Dr. Joane Cardinal-Schubert, RCA. Although never claiming to be political and rejecting a feminist label, Cardinal-Schubert's work recognizes that the personal lived life of an Indigenous Canadian woman has social and political ramifications. During her time in the physical realm, Cardinal-Schubert supported and mentored those who struggled with the legacies of colonial histories and educated those who were unaware of how this system affected them. Here, her work leads the conversation and continues to reach and speak to those on all sides of a colonial history simultaneously. The essays included oscillate between, story-telling, art historical analysis of art works, personal narratives, academic readings of the artist's work, anecdotes and remembrances-embracing the places where the personal, the political, and the artistic meet.

Genre
Art and architecture
Biographies and autobiographies
Canadian nonfiction
Indigenous materials
Publisher (Source)

Calgary

University of Calgary Press

Not specified

Record

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