National Network for Equitable Library Service

Winner of the 2009 ReLit Award! He saw it. Like one dead eye filmed over. Like a tunnel that would kill you. Like a star coming to explode you. He saw it. Closer and closer. It was morning.

KWONG WAS A GOD. Everything was about to change.

Croak is a frog-and-girl opera in three parts, played out like a YouTube mashup of mid-century cartoons, all set to a contemporary pop song.

Nothing slips by Brecken Hancock’s deft ear as she seductively plumbs the depths of the evolution of bathing, doppelgängers, the Kraken and the minutiae of family with all its tragic misgivings.

What if the cinema of the present were a Möbius strip of language, a montage of statements and questions sutured together and gradually accumulating colour?

A lyrical wilderness of power, wealth, leisure and desire, the poems of Country Club freewheel across state lines with panache and flagrant feeling.

Jonathan Ball’s Clockfire is a suite of poetic blueprints for imaginary plays that would be impossible to produce – plays in which, for example, the director burns out the sun, actors murder their a

Toronto is a concrete city.

Common Place explores the stories of shifting, resilient bodies and landscapes bound by systems of capital and power.

Winner of the 2013 CBC Overlookie Bookie Award for Most Underrated Canadian Book! An admirer of Miley Cyrus performs a three-thousand word sentence in defence of his passion.

People who rely on stereotypes are often vilified. But really, is there a better way to classify people? There are some taxonimical difficulties, though.

With an alternating sense of wonder and detachment, Jay Ritchie's first full-length collection of poetry grapples with death, disappointment, love, emails – the large and small subjects of daily li

Winner of the Trillium Book Award for Poetry Nominated for the Griffin Poetry Prize and the Gerald Lampert Award.

Cutting Room both describes and pushes against the anxious hum of the technologically saturated present.

Dr.