Abstract
Ian Williams's Not Anyones Anything is a trio of trios: three sets of three stories, with three of those stories further divided into thirds. Mathematical, musical, and meticulously crafted, these stories play profoundly with form, featuring flash cards and musical notations embedded in texts, literal basements, and dual narratives, semi-detached. Roaming through Toronto and its surrounding suburbia, Williams's characters wittily and wryly draw attention to the angst and anxieties associated with being somewhere between adolescence and more-than-that.