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Dolls in Canada is two books in one. The first section is a personal and engaging look at dolls which make up our heritage; pioneer dolls, native people's dolls, dolls from various cultural groups in Canada, dolls from legends and stories, dolls in different styles and materials, and dolls by Canadian artists. Part two contains easy-to-follow instructions on how to make over fifteen different types of dolls, from rag dolls to jumping jacks, from hanky panky dolls to clothespeg dolls.

This tome is an extensive record of Canadas treasures including art, architecture, historical sites, and spots of natural beauty.

Unbuilt Victoria celebrates the city that is, and laments the city that could have been. For most people, resident and visitor alike, Victoria, British Columbia, is a time capsule of Victorian and Edwardian buildings. From a modest fur-trading post of the Hudson’s Bay Company it grew to be the province’s major trading centre.

Samuel Edward Weir Q.C. (1898-1981), a man both loved and reviled with scorn, was born in London, Ontario. Descended from pioneer stock, with roots in both Ireland and Germany, Samuel Weir possessed incisive wit, exceptional intelligence and a passionate zest for any subject that caught his eye. Over a period of sixty years he built an extraordinary collection of approximately one thousand works of outstanding art and sculpture.

Travel across Ontario and pay a visit to Ontario's nearly 50 heritage jails. Built before the modern era of the OPP, they range in size from single cell lockups to massive monuments such as the Kingston Pen and the Don Jail. Although Spartan inside, many are architectural wonders on the outside and have been declared heritage buildings. A few have been converted to museums and show the harsh conditions that convicts had to endure. Behind Bars also tells of the many hilarious escapes, gruesome hangings and unusual trials which made Ontario's old jails the centre of attention.

"A fascinating history of a wonderful old theatre." - Hume Cronyn In September of 1901 London's New Grand Opera House flung open its doors. Boasting a beautiful interior design, and with the most modern stage equipment available, the theatre was large enough to accommodate over 1,700 patrons and the largest touring shows of the time. With impresario Ambrose J. Small at the helm, a new era in theatrical entertainment began.

More than 400 rock paintings adorn the Canadian Shield from Quebec, across Ontario and as far west as Saskatchewan. The pictographs are the legacy of the Algonkian-speaking Cree and Ojibway, whose roots may extend to the beginnings of human occupancy in the region almost 10,000 years ago. Archaeologist Grace Rajnovich spent fourteen years of field research uncovering a multitude of clues as to the meanings of the paintings. She has written a text which is unique in its ability to "see" the paintings from a traditional native viewpoint.

My Home As I Remember describes literary and artistic achievements of First Nations, Inuit and Metis women across Canada and the United States, including contributions from New Zealand and Mexico. Their voices and creative expression of identity and place are richly varied, reflecting the depth of the culturally diverse energy found on these continents.

The Ontario landscape is dotted with places of worship, from the simple log cabin to lofty cathedrals. Behind each lie personal stories of exceptional individuals and historical events, all of which have helped shape our lives.The lovers of Anne of Green Gables may be pleasantly surprised by Lucy Maud Montgomery’s long association with the Leaksdale Manse just north of Toronto.

John J. Honigmann was an anthropologist of rare energy and talent. In addition to writing numerous books and dozens of articles, he is the only anthropologist whose research and field experience extend across the three northern culture areas of Canada – the Western Subarctic, the Eastern Subarctic and the Arctic. Faces of the North presents a record of exceptionally high quality photographs depicting this extraordinary anthropological journey. Cultural anthropologist Bryan Cummins has compiled a written and photographic account of Honigmann’s ethnographic work from the 1940s to the 1960s.