National Network for Equitable Library Service

"Her book is a gift to all of us."— Patrick Lane, author of There is a Season. Following the lead of her earlier bestselling books, Anny Scoones once again charms and inspires readers with her insights and observations. Using her experiences on a farm as a backdrop, Anny muses on the environment, fate, time and aging. In this collection of personal memoirs, Anny reaches deeper into what nature, rural life and agriculture mean to us. She explores the thrills, joys and disasters of what really happens in the countryside and nearby towns.

Out of print for more than 40 years, this is an intimate and heartwarming biography that throws a whole new light on one of Canada's most beloved and iconic artists. In 1916, Emily Carr wasn’t famous. She was poor, and she taught art classes to children to make a living. One of her students was seven-year-old Carol Pearson. Pearson spent hours every day with Carr: they painted together at the water’s edge, and she helped care for the dogs, birds, monkey and other animals that Carr kept as pets.

Keeping the peace in turn-of-the-century B.C. Murderers, thieves and drunks tested the will of Superintendent Fred Hussey, the B.C. Provincial Police officer appointed to keep the peace in rough-and-tumble, turn-of-the-century B.C. But in his action-packed and often risky career, he always relied on the power of reason rather than force to set things right. Even his prisoners seemed to like him, it was said. Hussey's work took him from formal dinners in elegant mansions to chilly breakfasts around campfires.

A wealthy madam who was known from San Francisco to Victoria in the early part of the 20th century, Stella Carroll was glamorous, worldly and determined to succeed.

Harold Mortimer-Lamb’s name is in the index of almost every book written on the history of Canadian art, yet his place in that world has never been clear. Photographer, writer, painter, promoter—he was a man of many parts and the ideal patron and friend to some of Canada's most famous artists, including A.Y. Jackson, Emily Carr, and Jack Shadbolt. At the centre of his story are his relationships with painter Frederick Varley and young student Vera Weatherbie, whom Mortimer-Lamb, at the age of seventy, eventually married, when she was just thirty.

Brought into the media spotlight by her great-niece Pamela Anderson, Auntie Vie burst onto the scene as Pamela’s biggest supporter on “Dancing with the Stars.” Unexpectedly, Auntie Vie’s distinctive balance of earned wisdom and chic glamour quickly charmed the media and viewers of all ages. Her door suddenly stormed by cameras and reporters, Auntie Vie never missed a beat. Having harnessed the power of simply being herself, she has captured imaginations and inspired people with her rare pedigree: a down-to-earth farm gal and a sassy tinsel queen bee.

An updated edition of Herb Belcourt’s remarkable life story with a brand-new foreword by the author. The eldest of ten children, Belcourt grew up in a small log home near the Métis settlement of Lac Ste. Anne during the Depression. His father purchased furs from local First Nations and Métis trappers and, with arduous work, began a family fur trading business that survives to this day. When Belcourt left home at 15 to become a labourer in coal mines and sawmills, his father told him to save his money so he could work for himself.

The wildest, loveliest and least-travelled region of Alberta was R.M. Patterson’s home territory in the 1930s and ’40s. The Buffalo Head ranch was located in the foothills of the majestic Canadian Rockies. With the mountains as a backdrop, this dude ranch hosted visitors from around the world. Patterson bought it from its founder, a wild Italian named George Pocaterra, and explored the steep valleys and high mountain passes.

A vividly wrought memoir, Last Dance in Shediac is a collection of the author’s personal memories of her mother—celebrated Canadian artist Molly Lamb Bobak—and a tender meditation on life and death. Molly Lamb Bobak (1922–2014) was the first woman to travel overseas as an official Canadian war artist. She was also the daughter of famous Canadian artist Harold Mortimer-Lamb, whose contemporaries included Emily Carr, A.Y. Jackson, and Jack Shadbolt. In this homage to her artist mother, Anny Scoones rounds out her mother’s public profile by revealing personal stories.

Once available and appreciated only by researchers, these stories remained buried in the British Columbia Archives until 2007. Finally, readers are given a new glimpse into Emily Carr's life with this collection.. Carr began to write these stories in the last two years of her life. She wrote of the project: ... they are too small each to be taken singly, but each, complete in itself, serves to ornament life which would be a drab affair without the little things we do not even notice or think of at the time but which old age memory magnifies.