Film, television and performing arts
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Abstract
The definitive history of Peter Jackson's Middle-earth saga, Anything You Can Imagine takes us on a cinematic journey across all six films, featuring brand-new interviews with Peter, his cast & crew. From the early days of daring to dream it could be done, through the highs and lows of making the films, to fan adoration and, finally, Oscar glory. LightsA nine-year-old boy in New Zealand's Pukerua Bay stays up late and is spellbound by a sixty-year-old vision of a giant ape on an island full of dinosaurs. This is true magic. And the boy knows that he wants to be a magician.
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Abstract
A Long Time Ago in a Cutting Room Far, Far Away is a behind-the-scenes look at some of the most influential films of the last fifty years by Paul Hirsch, a film editor who worked on more than forty features. Starting with his work on Carrie, Hirsch gives insight into the production process, touching upon casting, directing, cutting, and scoring. It's a riveting look at the decisions that went into creating memorable and iconic scenes and offers fascinating portraits of filmmakers, stars, and composers.
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Abstract
The stunning portrayals of the Canadian landscape in the documentaries produced by the National Film Board of Canada, not only influenced cinematic language but shaped our perception of the environment. In the early days of the organization, nature films produced by the NFB supported the Canadian government's nation-building project and show the state as an active participant in the cultural construction of the land. By the mid-1960s however, films like Cree Hunters of Mistassini and Death of a Legend were asking provocative questions about the state's vision of nature.
Publisher (Source)
Athabasca University Press
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Abstract
Canadian Performance Documents and Debates provides insight into performance activities from the seventeenth century to the early 1970s, and probes important yet vexing questions about Canada as a country and a concept. The volume collects playscripts and archival material to explore what these documents tell us about the values, debates, and priorities of artists and their audiences from the past 400 years. Analyses throughout rethink the significance of theatre, dance, opera, circus, and other performance genres and events.
Publisher (Source)
University of Alberta Press
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Abstract
During the past twenty years, Latin American cinema has experienced an enormous upsurge, prompting film critics and scholars to hail the onset of a new era. What this signals, more than thriving financial or production infrastructures, is a renovated cinematic vision connected more closely to everyday experience and social and cultural concerns. The films analyzed in this new collection reflect and examine contemporary lives in their diversity and singularity, through their focus on identity politics, sexuality, the body, the family, and/or community.
Publisher (Source)
University of Calgary Press
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Abstract
This is an exciting new collection sure to create ripples throughout Canadian film studies - an important new addition to the literature on Canadian screen culture. - Zoë Druick, School of Communication, Simon Fraser University Rain/Drizzle/Fog : Film and Television in Atlantic Canada is the first scholarly study of film and television in Atlantic Canada.
Publisher (Source)
University of Calgary Press
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Abstract
Sally Field brings listeners behind the scenes of her star-studded career in Hollywood and deep into the truth of her lifelong relationships, including her complicated love for her own mother.
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Abstract
Hollywood legend Michael Caine shares the wisdom, stories, insight, and skills that life has taught him in his remarkable career, and now his eighty-fifth year.
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Abstract
In this follow-up to her memoir, Home, Julie Andrews shares reflections on her film career, including such classics as Mary Poppins and The Sound of Music.
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Abstract
Paul Hirsch, a film editor who worked on more than forty features, presents a behind-the-scenes look at some of the most influential films of the last fifty years.