Abstract
The island is shy and exuberant, savage and fair, bold yet self-effacing. It is a woman in heat, a man in despair, a blonde horse at sunset, a riot of fig trees, a flaking white salt bed, an arid garden of thyme and oregano, a hundred clotheslines full of octopi hung up to dry, a warm night of fireflies and tiny shrimps with burning eyes. In her first work of nonfiction, Mermaids and Ikons: A Greek Summer, originally published in 1978, beloved poet and novelist Gwendolyn MacEwen explores her strongly personal responses to a complex civilization.