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It's a Friday afternoon in the big city and, in six different offices, six different stories are unfolding at the same time. However, they are all connected somehow, from the figure skater on the ledge, to the novelist in the closet. A madcap race towards quitting time.

Political passions and sexual identity are delicately intertwined in this bittersweet tale of stolen youth. Set in Salvador Allende's Chile, Léo follows the path of three friends who journey from innocence to understanding as they learn what it means to truly ‘disappear'; Rodrigo, the idealistic aspiring politician; Léo, the passionate young poet; and Isolda, a young woman adrift in her own life.

Greg is a once-respected journalist searching for a high-profile story that will help revive his career. Chloe is the missing girl he wrote about six years earlier who has just returned home to a world she no longer recognizes. Instead of leading police to her captor, Chloe turns to Greg to share her story. Unfortunately for him, Chloe won't provide names or locations, and instead dictates exactly how the story should be told. But Chloe has become an international celebrity—both respected and scrutinized by the public—and they all want to know, who is her kidnapper?

Five classmates come together for their thirtieth high-school reunion. Some see it as a welcome trip home, while others see it as an obligation, and a few never even left. But as the night wears on, the one-time classmates start to reconnect and reminisce. And the more alcohol that’s consumed the closer the friends come to confronting their darkest secrets. Once again, Daniel MacIvor proves to us that just because we’re all grown up doesn’t mean we have everything figured out. His characters are sometimes naive, often crass, but always honest.

One year after the suicide of their teenage son Joel, Debora and Michael Shaun-Hastings sit down to dinner with their son’s bully and his parents. Closure is on the menu, but accusations are the main course as everyone takes a turn in the hot seat for their real or imagined part in the tragedy. Blame shifts over the course of the evening from one person to the next, raising questions no one is prepared to answer.

Reluctantly, Vivian agrees, although motherhood is something that she never desired. Overwhelmed by the particulars of Lucy's care and unable to connect with her daughter at first, Vivian soon realizes that Lucy isn't that different from her—socially awkward, emotionally withholding, and reclusive—and slowly comes to believe that she and Lucy are the next step in the evolutionary chain.

Leni Riefenstahl, one hundred years old, is in the office of a young female Hollywood studio executive. Leni's reason to be there is clear: to make one last desperate pitch to direct her first feature film in fifty years. A thought-provoking contemplation on art, politics, and the seduction of fascism, and a theatrical examination of a woman who danced one perfect dance with the devil and forever changed the way films are made. Leni Riefenstahl was one of the most remarkable and controversial women of the twentieth century.

Single men are hard to come by in 1970s West Germany. So when Karin Maynard, a government secretary, meets the handsome Markus Richter, a single man who pursues her, she can hardly believe her luck. But with Markus continually away on business, thoughts of infidelity begin to consume Karin. Is her insecurity unwarranted, or is she onto something?

In the aftermath of a local high-school boy’s mysterious death, Dan and Marion Metcalf are increasingly worried about their son Zach. He’s apathetic and shuts himself away in the basement to play video games and spend time with Keira, his virtual girlfriend and confidante, giving his parents more to worry about than their own insecurities and lacklustre sex life. When Zach’s best friend, Micky, begins to spend more time around the house, bonding with Dan and flirting with Marion, even Keira cannot anticipate the depth of Zach’s rage and sense of alienation.

In a sweaty hotel room, a lonely businessman and a young woman meet for sex. Somewhere between reality and fantasy, the sex becomes talk and the talk becomes dangerous. Nothing is off limits in this battle of morality, economics and desire. This witty, dark and sexually charged new play by Governor General's Award–winner Erin Shields shines a light on the complexities of sex tourism and our preconceptions about love.