National Network for Equitable Library Service

The hilarious story of an unlikely group of Indigenous dancers who find themselves thrown together on a performance tour of Europe. The Tour is all prepared. The Prairie Chicken dance troupe is all set for a fifteen-day trek through Europe, performing at festivals and cultural events. But then the performers all come down with the flu. And John Greyeyes, a retired cowboy who hasn't danced in fifteen years, finds himself abruptly thrust into the position of leading a hastily-assembled group of replacement dancers. A group of expert dancers they are not.

Philippine-born Vancouverite Sophia is most grateful for two things: her modest hair salon and Adrian, her mild-mannered fiancé. She is eager to get married, move away from her highly educated but career-frustrated parents, who believe that their daughter can be so much more than a beautician. Then Sophia's estranged friend reaches out from Manila, desperate for help. After a dubious accident, her fiery Auntie Rosy is on the verge of losing the Cine Star Salon-the place where Sophia first felt the call to become a hairstylist. Coming to her auntie's aid is not so easy though.

An Anishnawbe man, Arthur Copper, decides to repopulate the lakes of his home Territory with manoomin, or wild rice - much to the disapproval of the local non-Indigenous cottagers, in particular the formidable Maureen Poole. Based on real-life events in Ontario's Kawartha Lakes region, Cottagers and Indians infuses contemporary conflicts between Indigenous and non-Indigenous sensibilities with Drew Hayden Taylor's characteristic warmth and humour.

From the bestselling author of The Break comes a staggering intergenerational saga that explores how connected we are, even when we're no longer together—even when we"re forced apart. Cedar has nearly forgotten what her family looks like. Phoenix has nearly forgotten what freedom feels like. And Elsie has nearly given up hope. Nearly. After time spent in foster homes, Cedar goes to live with her estranged father.

Drawing on both lived experience and cultural memory, Norma Dunning brings together six powerful new short stories centred on modern-day Inuk characters in Tainna. Ranging from homeless to extravagantly wealthy, from spiritual to jaded, young to elderly, and even from alive to deceased, Dunning's characters are united by shared feelings of alienation, displacement and loneliness resulting from their experiences in southern Canada. In Tainna—meaning "the unseen ones" and pronounced Da-e-nn-a—a fraught reunion between sisters Sila and Amak ends in an uneasy understanding.

Tout est là : voici la vie sur la réserve, en haute définition. Dawn, la narratrice, revisite sa vie familiale, se replonge dans ses années d'école et s'engage résolument sur la voie de l'avenir. Situé quelque part entre le roman d'apprentissage et le récit autobiographique, On pleure pas au bingo est un livre qui célèbre les différences culturelles et la puissance de la prise de parole par le moyen de ce remède traditionnel et universel qu'est le rire.

Maud Lewis is a folk art legend who persevered through stigma, poverty, and disability to create beautiful and lasting pieces of art. Brighten the Corner Where You Are brings illumination to Maud's life.

Winner, Dartmouth Book Award. Shortlisted, Atlantic Booksellers Choice Award. A small Canadian island declares its independence to the world and benign anarchy reigns. A god-like ocean deposits many a thing, yet it also takes away. The 1960s blaze off shore and draw the island's inhabitants into politics, the Vietnam War, and the peace movement. Sound impossible? Not on Whalebone Island, AKA the Republic of Nothing.

Shortlisted for the New Brunswick Book Award for Fiction. A novel of absence and adolescence by the author of the award-winning The Town That Drowned. It's 1977. Seventeen-year-old Violet is left behind by her parents to manage their busy roadside antique stand for the summer. Her restless older brother, Bliss, has disappeared, leaving home without warning, and her parents are off searching for clues. Violet is haunted by her brother's absence while trying to cope with her new responsibilities.

Annaka has always hated her first name. That's why, when her mother packed her up at age seven and moved from Yarmouth to Halifax, she decided she would go by Anna. Now Anna is back in Yarmouth after the death of her beloved Grampy, and sorting through memories from her younger self. She discovers a journal Grampy gifted her years ago; it is filled with snapshots of a happy childhood: sketches of Nan braiding Anna's hair on the porch, stories about road trips Anna and Grampy took in his antique truck, and memories of her best-kept secret, who also happened to be her best friend.