National Network for Equitable Library Service

A fatal collision — who’s to blame? Two bodies, two souls switch in search of justice. When fifteen-year-old Hallie gets knocked flying by a Hurricane SUV, her life ends without her ever having kissed a boy. At an otherworldly carnival, she meets and argues with the eighty-two-year-old driver, Susan. Both return to life, only with one catch — they’ve swapped bodies. Now Hallie has wrinkled skin and achy joints while Susan deals with a forehead zit and a crush on a guy who’s a player. Hallie faces a life in a long-term care residence. Susan gets picked up for shoplifting.

Honourable ex-con Jack Palace struggles to repay an unstable criminal who saved his life. What does a man do when he gets out of jail? Jack Palace hits the streets, plunging back into a violent world of crime and corruption. Jack wants out, but first he must repay his debt to Tommy, the man who saved his life in prison. Tommy’s dad, an old school mob boss, is on his deathbed, and Tommy wants to take over the old man’s rackets. Jack and his new girlfriend, Suzanne, are soon caught in the middle of a mob war.

Park warden Jenny Willson is in a dangerous race for answers that could create an irreparable rift in her own organization. When Park Warden Jenny Willson initiates a covert inquiry into a proposed ski hill in Yoho National Park, she’s quickly drawn into a web of political, environmental, and criminal intrigue that threatens to tear apart a small B.C. town. Suddenly, neighbour is pitted against neighbour, friend against friend, and family against family.

It is the summer of 1933 and young Haven Cattrell, seeking work, finds himself abandoned in the small northern Ontario town of Davisville. At an exclusive summer camp for girls he befriends Wetherby Moss and his son Jude who introduce him to the joys and heartaches of jazz. Jazz had taken a hard blow, during the first-half of the 1930s. Although there was still work to be had for some in places like New York, musicians in other parts of the country were barely existing on what venues remained.

“If heaven is full of angels like me, hell must be empty.” So begins Autant, a tale woven over the course of four days and fifty-four years, based on the relationship between bees and one Franco-Albertan family, the Morasses, of Autant, Alberta. Tension emerges in the balance of power between siblings, between seen and unseen forces of good and evil, between perception and reality, between loyalty and traitors, and between what we are taught and what we actually learn.

Nana Underhill's intoxicated plan to run Lily over with her car seemed like a good idea at the time. Having slept with Lily's husband Mark, she needed to ease her guilt with an act of kindness - -however bizarre. The accident would bring Lily's husband racing to the scene and back into Lily's affections. But when Mark fails to show up as planned, the staged accident backfires and Nana has to pull Lily from a pool of blood and take her to hospital herself.

A yellowed newspaper clipping about a recently released prisoner who has saved a drowning boy triggers a wrenching journey into memory for middle-aged Ruth Callis, forcing her to confront the events of her past and, ultimately, her own act of forgiveness.Growing up in the far North, Ruth is attracted to the young missionaries working in her town and becomes increasingly involved in the activities of their evangelical fundamentalist church group.

Trevor and Margaret Rudley have had their share of misfortunes at The Pleasant Inn, the cherished Ontario cottage-country hotel they've owned for twenty-five years. There have been boating accidents, accidental poisonings, and then there was that unfortunate ski-lift incident. But this year their hopes are high for the summer season. However, barely a week goes by before their hopes are dashed. There's a dead body making a nuisance of itself in the wine cellar, and it's nobody the Rudleys know.

Montreal is a city that has always represented the ideal of languages and peoples meeting, mixing and producing a culture greater than the sum of diverse parts. Last Days of Montreal travels through an imaginary cityscape, powered by apples, beer, the dream of love, and a dark but determined joie de vivre which Montrealers adopt to survive the rising tide of bitter political schism, economic downturn, language laws, record snowfalls, crumbling streets and a baseball team on the verge of disappearing.

After twelve years in exile, living and teaching in the safety of Montreal, Alma Alvarez has been persuaded to return to Luscano by her old friend Flaco, who has invited her to give a lecture at his university on the tragic Uruguayan poet Delmira Agustini, a writer with a cult-like following known for her erotic poetry and film noir demise. Having been arrested herself after the publication of a poem which offended the military regime, Alma knows how influential and dangerous poetry can be. But her mother is dying, and her return to Luscano feels inevitable.