National Network for Equitable Library Service

These twelve new short stories from Astrid Blodgett explore the consequences of grief and denial and single moments that change perceptions, lives, and attachments forever. Crisp prose and unexpected plot twists move relatable characters through vivid outdoor settings and interior depths. A child negotiates adult behaviour when an injured dog is put down. An older sister bribes a younger one to go on her first date. A family canoe trip launches from Disaster Point. A woman wants to hurl her granddaughter's birthday cake out the window.

A modern retelling of Jane Austen's Sense and Sensibility through the lens of two impoverished sisters facing life in a northern BC oil town. Ellie Dashwood, a welder on the oil worksite, and Valerie, a ballet dancer working as a bar waitress, try to navigate life in Sober, BC, after their con man father dies suddenly, leaving them only his debts. As in Austen's classic novel, Sisters of the North is rich in characters attempting to carve out a new life from the circumstances fate has dealt them.

Follow Wenqi, Liam, and Mrs. in this modern gothic ghost story by Chinese-Canadian writer and immigrant, Ai Jiang. LINGHUN is set in the mysterious town of HOME, a place where the dead live again as spirits, conjured by the grief-sick population that refuses to let go. Jiang is widely considered to be one of the most exciting young voices in science fiction, fantasy, and horror. LINGHUN is her debut novella.

The fiction and poetry of Queer Little Nightmares reimagines monsters old and new through a queer lens, subverting the horror gaze to celebrate ideas and identities canonically feared in monster lit. Throughout history, monsters have appeared in popular culture as stand-ins for the non-conforming, the marginalized of society. Pushed into the shadows as objects of fear, revulsion, and hostility, these characters have long conjured fascination and self-identification in the LGBTQ+ community, and over time, monsters have become queer icons.

Four working-class Vancouver sisters, still reeling from the impact of World War I and the pandemic that stole their only brother, are scraping by but attempting to make the most out of the exciting 1920s. Gin, Turpentine, Pennyroyal, Rue is a love story?but like all love stories, it's complicated ... Morag is pregnant; she loves her husband. Georgina can't bear hers and dreams of getting an education. Harriet-Jean, still at home with her opium-addicted mother, is in love with a woman. Isla's pregnant too - and in love with her sister's husband.

Rod Carley has concocted another hilarious romp behind the theatre curtain – a showdown between artistic freedom and censorship in rural Ontario. Kinmount is the last place down-and-out director Dave Middleton wants to revisit yet there he is directing an amateur production of Romeo and Juliet for an eccentric producer in farm country. And there his quixotic troubles begin. From cults to karaoke, anything that can go wrong does. In one hilarious chapter after another, Dave becomes the reluctant emissary of truth in a comic battle between artistic integrity and censorship.

Will Crosswell’s decision to pursue acting shattered his father’s dream of him being a useful adult. When we first meet the young Will he is a wolf in wolf’s clothing. But in the ensuing years, from relationships to the theatre, his life has become one shipwreck after another. Dumped by his fiancée and desperate to pay the rent, he finds himself taking a job on the bottom rung of the Great Chain of Being – a telemarketer. The satire becomes serious when Will hits rock bottom.

"Readers will be left with a rich image of Mia's world and the family and people that surround her as well as a strong sense of how culture and class impact people's experiences. A touching exploration of identity and culture."-Kirkus Reviews. Mia knows her family is very different than her best friend's. In the 1980s, the coastal fishing town of Prince Rupert is booming. There is plenty of sockeye salmon in the nearby ocean, which means the fishermen are happy and there is plenty of work at the cannery.

Rosa Ost grows up in Notre-Dame-du-Cachalot, a tiny village at the end of the world, where two industries are king: paper and Boredom. The only daughter of Terese Ost (a fair-to-middling trade unionist and a first-rate Scrabble player), the fate that befalls Rosa is the focus of this tale of long journeys and longer lives, of impossible deaths, unwavering prophecies, and unsettling dreams as she leaves her village for Montreal on a quest to summon the westerly wind that has proved so vital to the local economy.

Cass Reisender doesn't enjoy her psychic abilities. They appeared after her parents were killed in a tragic accident and led her to Madame Freyja, a travelling fortune teller and all-round terrible person. Swearing to leave both her psychic sensitivity and Madame Freyja behind, Cass starts again in Calgary, Alberta, a city with nothing supernatural about it at all. Then Cass touches a strange antique device and her new life is blown apart.