National Network for Equitable Library Service

The Assiniboia school is unique within Canada's Indian Residential School system. It was the first residential high school in Manitoba and one of the only residential schools in Canada to be located in a large urban setting. Operating between 1958 and 1973 in a period when the residential school system was in decline, it produced several future leaders, artists, educators, knowledge keepers, and other notable figures. It was in many ways an experiment within the broader destructive framework of Canadian residential schools.

From Dene artist and bioethicist Lisa Boivin comes this healing story of hope, dreams, and the special bond between grandfather and granddaughter. When a little girl dreams about a bear, her grandfather explains how we connect with the knowledge of our ancestors through dreams. Bear, Hawk, Caribou, and Wolf all have teachings to share to help us live a good life. But when Grampa gets sick and falls into a coma, the little girl must lean on his teachings as she learns to say goodbye.

The first erotic novel written by an Indigenous woman in French-available for the first time in English. In The Lover, the Lake, Virginia Pesemapeo Bordeleau crafts a spellbinding, sensual love story, as a response to the stereotypical narrative portraying Indigenous peoples primarily as victims. In Bordeleau's tale, set before the arrival of residential schools in the community, Indigenous people are free to live and love joyously, wholeheartedly.

To the Gitxsan of Northwestern British Columbia, Nox Ga'naaw is a storyteller, speaking truths of the universe. When Nox Ga'naaw, the frog mother, releases her eggs among the aquatic plants of a pond, the tiny tadpoles are left to fend for themselves. As they hatch, grow legs, and transform into their adult selves, they must avoid the mouths of hungry predators. Will the young frogs survive to lay their own eggs, continuing a cycle 200 million years in the making?

Old Stories, New Ways is about the influence that Indigenous Elders and their Grandfather Stories have had on the Manasc Isaac projects, not only on Indigenous lands but also on their practice as a whole. Indigenous ways of knowing make for better, more sustainable architecture, and it also made Manasc Isaac a more caring, nurturing, best practices firm, always ready to look at any problem from an Indigenous perspective.

In Daniels v. Canada the Supreme Court determined that Métis and non-status Indians were "Indians" under section 91(24) of the Constitution Act, 1867, one of a number of court victories that has powerfully shaped Métis relationships with the federal government. However, the decision (and the case) continues to reverberate far beyond its immediate policy implications.

Land Acknowledgements often begin academic conferences, cultural events, government press conferences, and even hockey games. They are supposed to be an act of Reconciliation between Indigenous people in Canada and non-Indigenous Canadians, but they have become so routine and formulaic that they have sometimes lost meaning. Seen more and more as empty words, some events have dropped Land Acknowledgements altogether. Métis artist and educator Suzanne Keeptwo wants to change that.

Sharing the Land, Sharing a Future looks to both the past and the future as it examines the foundational work of the Royal Commission on Aboriginal Peoples (RCAP) and the legacy of its 1996 report. It assesses the Commission's influence on subsequent milestones in Indigenous-Canada relations and considers our prospects for a constructive future.

Stories are medicine. During a time of heightened isolation, this bestselling author shares what he knows about the power of storytelling--and offers some of his own favourite stories from Elders, friends, and family. Gathering around a campfire, or the dinner table, we humans have always told stories. Through them, we define our identities and shape our understanding of the world. Master storyteller and bestselling author Richard Van Camp writes of the power of storytelling and its potential to transform speakers and audiences alike.

Through rigorous engagement with Indigenous literary art, Carrying the Burden of Peace highlights the decolonial potential of Indigenous masculinities. Can a critical examination of Indigenous masculinities be an honour song--one that celebrates rather than pathologizes; one that seeks diversity and strength; one that overturns heteropatriarchy without centering settler colonialism? Can a critical examination of Indigenous masculinities even be creative, inclusive, erotic? Carrying the Burden of Peace answers affirmatively.