National Network for Equitable Library Service

The dog shows up the way snow does on a winter's day. She just drifts in and stays, becoming the friend of a young Cree boy. The boy and the dog set out on an adventure that ends in a quandary involving quills and a big brother who swears to take revenge on the porcupine. But Lindy, a Cree elder and master carver, reminds the brothers of the importance of the great porcupine. After a day spent carvingin town, the boy learns some truths about human nature and realizes that sometimes, like the porcupine, you must put your quills up to keep from getting pushed around.

An enthralling collection of traditional Blackfoot stories revealing the frailty of mankind and the enduring power of narrative. Napi, the Old Man of the Blackfoot Nation, appears prominently in mythology, sometimes as a quasi-Creator, sometimes a fool, and sometimes a brutal murderer. Although Napi is given credit for creating many of the objects and creatures on Earth, and indeed the Earth itself, the Blackfoot do not consider him to be god-like.

"Laura Hicks renders this imaginative work splendidly. She is vivacious and expressive as May Dodd...Her vocal characterizations, especially of the various immigrant women Dodd encounters, are lively. A work this unusual needs a performance that is versatile and out of the ordinary, both of which have been achieved."-AudioFile on One Thousand White Woman. The stunning sequel to Jim Fergus' award-winning One Thousand White Women. 9 March 1876 My name is Meggie Kelly and I take up this pencil with my twin sister, Susie. We have nothing left, less than nothing.

When superstar athlete Jim Thorpe and football legend Pop Warner met in 1904 at the Carlisle Indian Industrial School in Pennsylvania, they forged one of the winningest teams in American football history. Called "the team that invented football," they took on the best opponents of their day, defeating much more privileged schools such as Harvard and the Army in a series of breathtakingly close calls, genius plays, and bone-crushing hard work. But this is not just an underdog story.

2017 Rogers Writers' Trust Fiction Prize Finalist. This Accident of Being Lost is the knife-sharp new collection of stories and songs from award-winning Nishnaabeg storyteller and writer Leanne Betasamosake Simpson. These visionary pieces build upon Simpson's powerful use of the fragment as a tool for intervention in her critically acclaimed collection Islands of Decolonial Love. Provocateur and poet, she continually rebirths a decolonized reality, one that circles in and out of time and resists dominant narratives or comfortable categorization.

Journalist Doug Bock Clark tells the stunning inside story of the Lamalerans, an ancient tribe of 1,500 hunter-gatherers who live on a volcanic island so remote it is known by other Indonesians as "The Land Left Behind." They have survived for centuries by taking whales with bamboo harpoons, but now are being pushed toward collapse by the encroachment of the modern world.

Mi'kmaw elder Doug Knockwood recounts the story of his life.

In past treaties, the Aboriginal people of Canada surrendered title to their lands in return for guarantees that their traditional ways of life would be protected. Since the 1950s, governments have reneged on these commitments in order to acquire more land and water for hydroelectric development. James B. Waldram examines this controversial topic through an analysis of the politics of hydroelectric dam construction in the Canadian Northwest, focusing on three Aboriginal communities in Manitoba and Saskatchewan.

From the earliest settler policies to deal with the “Indian problem,” to contemporary government-run programs ostensibly designed to help Indigenous people, public policy has played a major role in creating the historical trauma that so greatly impacts the lives of Canada’s Aboriginal peoples. Taking Back Our Spirits traces the link between Canadian public policies, the injuries they have inflicted on Indigenous people, and Indigenous literature’s ability to heal individuals and communities.

This is a story about the fur trade and First Nations, and the development of northern Canada, seen and experienced not only through Leonard Flett's eyes, but also through the eyes of his father, grandfather, and great-grandfather. The lives of Indigenous people in remote areas of northern Ontario, Manitoba and Saskatchewan in the 1960s and 1970s are examined in detail. Flett's successful career with both the Hudson's Bay Company and the North West Company provides an insight into the dying days of the fur trade and the rise of a new retail business tailored to First Nations.