National Network for Equitable Library Service

Good Prose is an inspiring book about writing-about the creation of good prose-and the record of a warm and productive literary friendship. The story begins in 1973, in the offices of the Atlantic Monthly, in Boston, where a young freelance writer named Tracy Kidder came looking for an assignment. Richard Todd was the editor who encouraged him, and from that article grew a lifelong association. Before long, Kidder's The Soul of a New Machine, the first book the two worked on together, had won the Pulitzer Prize.

Imagine knowing what the brain craves from every tale it encounters, what fuels the success of any great story, and what keeps readers transfixed. Wired for Story reveals these cognitive secrets-and it's a game-changer for anyone who has ever set pen to paper. The vast majority of writing advice focuses on "writing well" as if it were the same as telling a great story.

For a thousand generations, human beings viewed themselves as part of the wider community of nature, and they carried on active relationships not only with other people but with other animals, plants, and natural objects (including mountains, rivers, winds, and weather patterns) that we have only lately come to think of as "inanimate." How, then, did humans come to sever their ancient reciprocity with the natural world? What will it take for us to recover a sustaining relationship with the breathing earth?

Daniel Everett, then a Christian missionary, arrived among the PirahA in 1977-with his wife and three young children-intending to convert them. What he found was a language that defies all existing linguistic theories and reflects a way of life that evades contemporary understanding: The Piraha have no counting system and no fixed terms for color. They have no concept of war or of personal property. They live entirely in the present.

In the literary world, the debate around writing and commerce often begs us to take sides: either writers should be paid for everything they do or writers should just pay their dues and count themselves lucky to be published. You should never quit your day job, but your ultimate goal should be to quit your day job. It's an endless, confusing, and often controversial conversation that, despite our bare-it-all culture, still remains taboo.

When Andrew Offutt died, his son, Chris, inherited a desk, a rifle, and eighteen hundred pounds of pornographic fiction. Andrew had been considered the "king of twentieth-century smut," with a writing career that began as a strategy to pay for his son's orthodontic needs and soon took on a life of its own, peaking during the 1970s when the commercial popularity of the erotic novel reached its height. With his dutiful wife serving as typist, Andrew wrote from their home in the Kentucky hills, locked away in an office no one dared intrude upon.

As the work at the heart of Christianity, the Bible is the spiritual guide for one out of every three people in the world. It is also the world's most widely distributed book-it has been translated into over 2,000 languages-and the world's best-selling book, year after year. But the Bible is a complex work with a complicated and obscure history. Made up of sixty-six "books" written by various authors and divided into two testaments, its contents have changed over the centuries.

No one knows if there was a man named Homer, but there is little doubt that the epic poems assembled under his name form the cornerstone of Western literature. The Iliad and the Odyssey-with their incomparable tales of the Trojan War, Achilles, Ulysses and Penelope, the Cyclops, the beautiful Helen of Troy, and the petulant gods-are familiar to most people because they are so pervasive. They have fed our imaginations for over two and a half millennia, inspiring everyone from Plato to Virgil, Pope to Joyce, Dante to Wolfgang Petersen.

In this brilliant book, Francis Wheen, the author of the most successful biography of Karl Marx, tells the story of Das Kapital and Marx's twenty-year struggle to complete his unfinished masterpiece. Born in a two-room flat in London's Soho amid political squabbles and personal tragedy, the first volume of Das Kapital was published in 1867 to muted praise. But after Marx's death, the book went on to influence thinkers, writers, and revolutionaries, from George Bernard Shaw to V. I. Lenin, changing the direction of twentieth-century history.

Shakespeare scholar James Shapiro explains when and why so many people began to question whether Shakespeare wrote his plays.