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The bonds of family, love, and loyalty are pushed to their limits in this thrilling conclusion to the epic saga started in The Bloodbound. As the war between Alden and Oridia draws to an end, the fates of both kingdoms rest on the actions of a select group of individuals-and, of course, on the unbreakable bonds of blood... Unbeknownst to most of Alden, King Erik, in thrall to a cruel bloodbinder, is locked away in his own palace, plotting revenge. To save her king, Lady Alix must journey behind enemy lines to destroy the bloodbinder.

As war between Alden and Oridia intensifies, King Erik must defend his kingdom from treachery and enemies on all sides-but the greatest danger lurks closer to home. When the war began, Lady Alix Black played a minor role, scouting at the edge of the king's retinue in relative anonymity. Though she's once again facing an attacking Oridian force determined to destroy all she holds dear, she is now bodyguard to the king and wife to the prince. Still, she is unprepared for what the revival of the war will mean.

The best-selling author of Girl Waits with Gun returns with another adventure featuring the fascinating, feisty, and unforgettable Kopp sisters. After besting (and arresting) a ruthless silk factory owner and his gang of thugs in Girl Waits with Gun, Constance Kopp became one of the nation's first deputy sheriffs. She's proven that she can't be deterred, evaded, or outrun. But when the wiles of a German-speaking con man threaten her position and her hopes for this new life, and endanger the honorable Sheriff Heath, Constance may not be able to make things right.

When the greedy owner of a Las Vegas movie catering company tries to muscle in on a local, family-owned business in Honolulu, it leaves a very bad taste in the mouths of the natives, and the battle for paradise begins for Joseph, a young Hawaiian chef. As far as Joseph's father Sid is concerned, this is an invasion on par with Captain Cook and the mainlanders have to be stopped at all costs.

The works of Thomas Wolfe cemented his legacy as one of the very best of the American Southern writers. Wolfe's largely autobiographical novel features Eugene Gant, who pines for a more expansive life after being born to a father whose bouts of maniacal raving are fueled by a prodigious appetite for drink.

With these words, the reader is ushered into an isolated gray stone mansion on the windswept Cornish coast, as the second Mrs. Maxim de Winter recalls the chilling events that transpired as she began her new life as the young bride of a husband she barely knew. For in every corner of every room were phantoms of a time dead but not forgotten - a past devotedly preserved by the sinister housekeeper, Mrs. Danvers: a suite immaculate and untouched, clothing laid out and ready to be worn, but not by any of the great house's current occupants.

Sixty-seven-year-old Trond Sander lives secluded in a far corner of Norway. Casting his mind back to 1948, he recalls a horse stealing prank with his best friend that turned tragic and changed his life forever.

There's a renaissance artist of the 1460s. There's the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real - and all life's givens get given a second chance.

When Daniel Blackland was six, he ingested his first bone fragment, a bit of kraken spine plucked out of the sand during a visit with his demanding, brilliant, and powerful magician father, Sebastian. When Daniel was twelve, he watched Sebastian die at the hands of the Hierarch of Southern California, devoured for the heightened magic layered deep within his bones. Now, years later, Daniel is a petty thief with a forged identity. Hiding amid the crowds in Los Angeles--the capital of the Kingdom of Southern California--Daniel is trying to go straight.

As a child growing up in 1920s Paris, Ida Chagall copes with her father Marc Chagall's brilliant artistic mind, overbearing ego, and the tight leash he keeps on her. But as Ida blossoms into a young woman, she begins to glimpse freedom and opportunities for herself. When she falls in love for the first time, her father paints ""The Bridal Chair"" as her wedding present, a symbol of his anger that pierces Ida to the heart.